Indian music with its rich legacy of over three millennia, has always had a place of pride in the realms of art and culture. The NCPA embraces the diversity of Indian music and continues to feature a wide spectrum of artistes ranging from emerging to established performers. The consciously curated programming includes classical, and semi-classical to devotional, light, regional, folk and cross-over music. The unique thematic element associated with each property makes it exclusive. Over the past decade, the NCPA’s Indian music festivals have been appreciated by artistes as well as audiences worldwide.

Upcoming Events in March 2024:

Living Traditions: Festival of Jharkhand 

An NCPA presentation

Genre: Folk, Regional

Language: Hindi

Age Suitability: 7 yrs+

Duration: 3 hrs             

About the show: India is perhaps the most musical and musically diverse regions in the world. This diversity is evident in the folk traditions associated with different regions. Through this festival, we try to showcase the folk traditions of different regions. During the 13th edition, the focus is on Jharkhand.

Established in 2000, Jharkhand is one of the newest states located in the North-eastern part of India. Literally meaning ‘the land of forests and bushes’, the region has an amazing diversity of flora and fauna coupled with a variety of minerals and beautiful natural resources including hills and waterfalls. The state is equally or more rich in its cultural heritage. Be it chhau, mundari, kathi mage, dasai or nagpuri and jhoomar, these performing art-forms are not only means of entertainment for the different tribes of adivasis, but they also have a place in worship.   During the two days, over 100 artistes comprising six well-known troupes from various parts of Jharkhand will present varied forms of music, dance and folk theatre. Each presentation will be introduced with appropriate socio-cultural and aesthetic context.  

Additionally, on both days, artisans will demonstrate mask-making and bamboo artwork in the Experimental Theatre foyer. 

Day 1

When: 8^th March, Friday- 6.30 pm

Where: Experimental Theatre

Tickets: Bookmyshow 

 Nagpuri songs by Pritthviraj Sinhdeo and group

About the show: Regarded as a derivative of Bhojpuri, Nagpuri is the main language of Sadan, an ethno-linguistic group of the Chhota Nagpur region, which covers some areas of Jharkhand and neighbouring states of Bihar, Chhatisgarh and Orissa. It is also the main language of a number of tribal groups such as: Kharia, Munda, Bhumij, Kurukh and others. Couched in Nagpuri language, the musical renditions are based on diverse melodies, reflecting the typical folk flavour of the region. Until recently, only locally made instruments were used for accompaniment.

Ho dance by Uma Kumari and group

About the show: Ho Munda are the scheduled tribe of Singbhum district of Jharkhand. Performed together by men and women, it is essentially regarded as a courtship dance. But often, it is also performed during the harvest season and wedding celebrations. White, red and yellow colours dominate attires of both men and women. Holding each other, they move with the melody of bansuri (bamboo flute) in a semi-circular fashion with graceful footsteps and waist movements, matching with the beat of drums and percussion instruments such as dama, dumeng and rutu, to name a few. The songs vary with the change of season and occasion; as a result, there are several variations of this dance form. Mage Porob, organised in the month of Magh, is the well-known dancing festival of the Ho Munda community.  

Gohaeer Jatra: Folk play written and directed by Deepak Lohar

A presentation by Birsa Kala Kendra

About the show: Title of the play points to loud communication amidst the pandemonium of countryside fair. This is a story of a village girl, Roopa, caught in human trafficking. The play unfolds the heartrending plight of the victim along with that of her brother, Kanhu, who also has his own share of life-struggles. The play has a tragic end, highlighting the menacing effects of rural poverty that is rampant in most Indian villages.

Day 2 

When: 9th March, Saturday - 6.30 pm

Where: Experimental Theatre

Tickets: Bookmyshow 

Kudmali Jhumar songs by Kamal Mahato and group

About the show: Regarded as an Indo-Aryan language, Kudmali is one of the several languages spoken in Bihar. While mainly prevalent in the Chhota Nagpur region of Jharkhand, it is also widespread in the border regions of Orissa and West Bengal. Though mainly written in Bangla script, Kudmali literature is also available in other languages such as Devnagri and Odiya. Closely linked with the lives of common people, Kudmali folk songs are simple, yet appealing. There is no aspect of life in this region that can be considered complete without the inclusion of these extremely popular songs, known as Kudmali jhumar geet.

Chhau danace by Dildar Ansari and group

About the show: Recognised by the UNESCO as the intangible cultural heritage of the humanity, chhau is a popular dance form prevalent in the three states of eastern India: Jharkhand, Odisha and West Bengal. Although there are regional variations, generally, topics range from the great epics to mythology, nature, and even folklore, that are presented using combinations of hand, neck and eye movements. Some varieties also deploy martial arts techniques. Instruments used are: bamboo flute, cymbals and varieties of native drums. Within the state of Jharkhand, there are three prevalent styles of chhau: Saraikela, Kharsawa and Manbhum.   This chhau dance presentation revolves around the hunting tradition of this region replete with lush green hills, forests, animals and tribals, in which hunters kill animals for their flesh. When persuaded by their wives to abandon the age-old anti-environmental practice, hunters understand the importance of maintaining an ecological balance by protecting all kinds of flora and fauna, that would in turn protect the human species.

Phurgal Dishom Rin Bir Ko: Folk play by Jeet Rai Hansda and group

About the show: The play portrays the saga of several adivasi men who fought relentlessly with the rulers of British Empire in pursuit of freedom. Starting in 1784, Baba Tilka Manjhi led uprising against British landlords at Bhagalpur. His brutal execution gave impetus to further rebellion by other young men including four brothers: Siddhu, Kaku, Chand and Bhairav around 1855, who dared to fight British along with thousands of adivasis from Santhal region. Legend has that their sisters as well as lovers also joined the freedom struggle. Later, Birsa Munda led the struggle from Chhota Nagpur region. The sacrifices made by these iconic leaders along with thousands of men, women and children are depicted in a style replete with song, dance and action.

Guru in Residence - Master class on Bandish in Hindustani music conducted by Ajoy Chakrabarty

Supported by HSBC India

When: 12th to 14th March, Tuesday - Thursday  10.30 am to 5.30 pm

Where: West Room 1

Registration is now open.

Registration fees: Rs. 1500/- for 3 days

Observers: 300/- per day

For more details: Please call on 8928001896 or write a mail to indianmusicworkshops@ncpamumbai.com

About the master class: Under this educational initiative, a senior guru is invited to impart advanced training to a select group of music practitioners. Ajoy Chakrabarty, doyen of Patiala gharana, will conduct a workshop on ‘Bandish’ in classical and semi-classical music. An eminent vocalist who has had the privilege of training with great masters like Gyan Prakash Ghosh and Munawar Ali Khan, Ajoy Chakrabarty has been a guru to several students at the ITC-SRA and Shrutinandan, Kolkata. ‫

Applications are invited from vocalists of Hindustani music (khayal and /or thumri). Preference will be given to those with at least a ‘B’ grade of the AIR.

A limited number of students will be admitted to participate in the workshop.

A limited number of students will also be enrolled as observers.

Barasat Rang: Celebrating Holi  

Where: Experimental Theatre

When:  Friday, 22nd March -  6.30 pm

Tickets: BookMyShow (Coming Soon)

About the show: Holi, a traditional festival of the Spring season, captures the spirit of exhilaration in each one’s heart, whether it is the song of a young couple in love, a bride, or the eternal epic love of Radha and Krishna. Above all, Holi signifies the triumph of good over the evil, and therefore it is the time to celebrate with colour, music, dance and gaiety unleashed.   This recital seeks to recreate the unbounded spirit of Holi that is intrinsic in the melody, rhythms and literature of myriad genres prevalent in North India. The range of genres from classical, semi-classical to light music will depict the vibrant tones of Holi.

Initiated into music by his parents, Dhananjay Hegde has trained with Venkatesh Kumar and Vinayak Torvi.  Ruchira Kedar has had the privilege of training with Dr. Alka Deo Marulkar and Ulhas Kashalkar. Additionally, she has also studied semi-classical music with Girija Devi.   Representing the younger generation, both have participated in several prestigious festivals across India and overseas, and are recipients of Sangeet Natak Akademi’s Ustad Bismillah Khan Yuva Puraskar award.  

Imbued with imagination, creativity and emotive expressions, this thematic presentation will include myriad compositions: khayal, dhamar, chaturang, thumri, bandish ki thumri, bhajan, abhang, hori, Awadh ki hori, Shivji ki hori, Rasiya and more, all portraying the fun and frolic of the festival of colours.

Performed by Dhananjay Hegde, Ruchira Kedar. Accompanied by Yashwant Vaishnav (tabla), Rakshanand Panchal (percussions), Dnyaneshwar Sonawane (harmonium), Vanraj Shastri (sarangi), Varada Risbud (compere)